30 septembre 2014 ~ 0 Commentaire

Learning Texture Photography as highlighted by the Southfield Photographer.

The Southfield photographer appreciates living by the beach and believes there are many texture photography possibilities waiting. 3 of the main opportunities at the beach are: rock, driftwood, and sand.

Rock: Don’t assume that all beaches have rock. Some can be miles of smooth sand. Nevertheless, when a beach does offer rock, the rock often has very worthwhile texture. The Southfield photographer knows some of the better photo opportunities are displayed with rock that is sunken at high tide and yet exposed at low tide. Any such rock is very much worn by wave action. The softer areas of the rock have been eroded away whilst the harder rock is left.

The main thing is to look for fascinating patterns in the rock texture and stress that in the photos. The timing for that sort of photography can be a pain in the you know what. Clearly, these shots have to be taken at low tide. In addition, the sun needs to be low on the horizon as a way to highlight the rock texture. Consequently, it is vital to check both the tide tables as well as the sun rising and setting times.

Driftwood: For a photographer, driftwood can make some extraordinary images. The wood has a grain which has been eroded by the wave action. This will supply great texture. What’s more, the wood will most likely be wet which can further amplify the contrast of the texture.

As with most of texture photography, side light works well with driftwood. Among the list of nice things about driftwood is it may be repositioned to take advantage of the sidelight.

Wet Sand: Stemming from wave action, the sand will have patterns. It is merely a matter of uncovering some interesting ones. Frequently, the ideal opportunities can be located at low tide. Generally if the sand does not show any appealing designs, just hold back until after the next wave and look again.

A photographer who captures the sand during a colorful sunset could add intense, saturated color to the sand for even enhanced imagery.

While at the beach, never make the blunder a photographer friend of mine made. He set his camera on a tripod and turned his back to the ocean for a handful of moments. As he turned back, he found his camera equipment was washed into the ocean by an unexpectedly large wave.

Desert

When you look to capture texture images, the desert is a key location. Texture may be found in the plants, animals, and rock of the desert.

Rock is just about the least complicated to photograph. Rock with bands of irregular color is awesome as texture photography material. This type of image is ideally shot in the late afternoon. That being said, if there are surrounding mountains, you can not shoot too late or the rock might be cast in shadow after the sun disappears behind the mountains. Consequently, a photographer will find the best light usually occurs when the sun sits just above the mountains. This will give the warmest light and the longest shadows.

Also, it is best to have a contrasting sky. Regularly, the deepest blues in the sky are located opposite the direction of the sun. This is due to Mie scattering which adds white light to the sky (thus, desaturating the sky). The closer to the sun an area of sky is, the greater the Mie scattering.

One final point, don’t forget to try out a polarizer. A polarizer can sometimes help to saturate the color of the rock and the sky. Yet, the affect of a polarizer may differ with regards to the angle of the lens with respect to the direction of the light. Polarizers are most valuable when the lens is perpendicular with respect to the sunlight. This should be taken into consideration when positioning the camera for a shot.

For more information on Wedding Photographer Southfield MI , School Pictures Southfield MI you can contact us at: Picture This Studio 16265 Meadowood Rd. 248 817 4599

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